SYLLABUS FOR M.A ENGLISH Part-I, BZU Multan

 

SYLLABUS AND STUDY SCHEME FOR M.A. ENGLISH Part-I

(Session 2009-2011)

 

Bahauddin Zakariya University, Multan

SYLLABUS FOR MA ENGLISH Part-I


SYLLABUS FOR M.A ENGLISH Part-I

 

Paper-I            Poetry

             Paper-II           Drama

Paper-III         Novel

Paper-IV         Criticism

Paper-V           Introduction to Linguistics

 

M.A. English, Part-I

Note: All the papers are divided into different sections. The students will be required to attempt at least one question from each section in the examination. Besides, the students are expected to have a comprehensive knowledge of the historical development of all the genres, forms and movements including basic concepts and definitions of important terms.

 

Paper-I, Poetry

This course aims at introducing the students to the development of English poetry in different eras. It starts from Chaucer and ends at Sylvia Plath. The representative poets from each age are taken to highlight various trends in English poetry from 14th to 20th century.

            Classical Poetry

             Chaucer                                                                       The Prologue

Milton                                                                         Paradise Lost, Book-1

Donne                                                                         Good Morrow

The Sun Rising

Go and Catch a Falling Star Extasie

Batter My Heart

When Thou Hath Donne

            Romantic Poetry

Wordsworth                                                                Prelude Book-1

Keats                                                                           Ode to a Nightingale

Ode on a Grecian Urn Ode to Autumn

Ode on Melancholy

               Modern

T.S. Eliot                                                                     Prufrock

Salvia Plath                                                                 Daddy


Paper-II, Drama

 

This paper will introduce students to the origins and development of the classical Greek drama followed by the emergence of Mystery, Miracle and Morality plays during the English Renaissance. Thus an over view of the development of the genre (and sub-genres

i.e. tragedy, comedy) over the centuries will be given followed by an in-depth textual analysis of the plays by the major dramatists.

 

        Classical

Sophocles                                                                    Oedipus Rex

 

        Renaissance

Marlowe                                                                      Dr. Faustus

Shakespeare                                                                Hamlet

Twelfth Night

        Modern

Ibsen                                                                           A Dollís House

Shaw                                                                           Major Barbar


         Paper-III, Novel

 

This course is designed to include major novelists of the Classical, Victorian and Modern Age. Tracing the origin and development of the genre in the eighteenth century, the major novelists of English literature are covered under three ages; each with its own distinct style, thus exposing the students to a range of texts and styles beginning with the Picaresque novel of Fielding and moving on to Woolfís technique of the Stream of Consciousness. A compulsory question will be set based on the textual analysis of the prescribed novels.

 

            Classical and Romantic

Fielding                                                                       Joseph Andrews

Jane Austen                                                                 Pride and Prejudice

 

            Victorian

George Eliot                                                                The Mill on the Floss

Thomas Hardy                                                            Return of the Native

 

            Modern

E.M. Forster                                                                A Passage to India

Virginia Woolf                                                           To the Lighthouse

 

Paper-IV, Criticism

 

The purpose of this course is to bring our syllabi on a par with international standards. After familiarizing the students with the tenets of classical literary criticism, it introduces them to the literary approaches of the modern critics i.e. Eliot, Frye followed by the beginnings of postmodern critical theories, rooted in the works of Woolf and introduced later in detail Eagleton. The recent and current trends of post-structuralism will be introduced so as to enable the students to apply these theories to textual analysis. To achieve this objective, a compulsory question of practical criticism will be set on an unseen passage, in the final examination.

 

            Classical

Aristotle                                                                      Poetics

Longinus                                                                     On the Sublime

 

            Modern

T.S. Eliot                                                                     The Tradition and the Individual

Talent

Frye                                                                             Anatomy of Criticism

 

            Postmodern

V.  Woolf                                                                     A Room of Oneís Own

Terry Eagleton                                                            Modern Literary Theory (Structuralism, Post-Structuralism)

 

Paper-V, Introduction to Linguistics

 

This course is designed to introduce the basic notions of linguistics, its various branches and levels of study. It is divided into three sections. The first section provides an introduction to different terms and major sub-divisions of the field of linguistics. The second section provides a brief introduction to the levels of linguistics and the third section focuses on the much-needed area of phonology and phonetics of English. Together they are expected to give a preliminary knowledge of the subject for the study of language in both written and spoken aspects.

 

            Section-I

Historical Perspective

Theoretical and General Linguistics Linguistics VS Traditional Grammar Branches of Linguistics

Sociolinguistics Psycholinguistics Applied Linguistics

Animal Vs. Human Communication

 

            Section-II

Levels of Linguistics Morphology

Syntax Semantics Discourse Pragmatics

 

            Section-III

Phonetics and Phonology of English

 

Suggested Reading List & Reference Books

Aitcheson, Jean (2004) Teach Yourself Linguistics, Teach Yourself Crystal, D. (1997) Encyclopedia of Language, Cambridge University Press Crystal, D (1997) Linguistics Cambridge University Press

OíConnor JD (1973) Phonology of English, Harmondsworth

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